Group Members: Francisco, Jasmeet and Parminder
Original Artwork: Desconstrucció d'un dodecàedre by Josep Rey Nadal
Remaking the Original Artwork & The Artist's Vision
To truly understand the intersection of mathematics and sculpture, our first step was to reverse-engineer Josep Rey Nadal’s original work, Desconstrucció d'un dodecàedre.
Nadal describes his work as an exploration of symmetry, spatial bisection, and philosophical balance. By cutting the regular dodecahedron along a continuous path, the solid unzips into two identical, complementary halves that fit together as a three-dimensional manifestation of the Yin and Yang. It visually demonstrates how two opposing, interlocking parts contain the complete whole.
Our Remake: We remade the original dodecahedron using durable cardstock. Replicating the form out of paper required precise measurements and clean folds. Our main snag was managing the structural stability of the paper joints while executing the bisecting cuts. Working through this hands-on assembly revealed how a continuous path along a 3D solid acts as a hidden seam, transforming a flat net into a dynamic, separable 3D network.
Our Artistic and Mathematical Extension: We wanted to build upon Nadal’s concept of bisection while introducing two major changes: a geometric shift and a deliberate material swap. We moved from a dodecahedron (12 pentagonal faces, 20 vertices) to an icosahedron (20 triangular faces, 12 vertices), exploring mathematical duality and symmetry on a different polyhedron. We designed our own 3D replica of the icosahedron (https://faamorim.github.io/hamiltonian-polyhedron/), which provided the digital foundation for our model.
Nadal’s original piece is crafted from warm, organic wood. For our extension, we transitioned to modern 3D-printed plastic. While wood offers an earthy, traditional feel, 3D printing allowed us to achieve absolute geometric precision and clean, sharp edges. Nadal’s wooden pentagons felt organic and fluid, our 3D-printed triangles introduced sharp energy and structural tension.
Our Interactive Class Activity: To bring our peers into the mathematical and artistic process during our presentation, we wanted an activity that is tactile, low-stakes, and visual. We prepared flat 2D net cutouts of the icosahedron for our classmates so they can experience the puzzle in their own hands. During our upcoming presentation, we will also hand out templates and challenge our classmates to map out a continuous line connecting every single vertex exactly once without lifting their pens or crossing their own paths.
Once they map their paths on paper, we will reveal our 3D-printed icosahedron to demonstrate how their 2D drawings directly translate into the "secret cuts" used to bisect the 3D solid, bridging flat geometry and spatial form.
BC Curriculum Math Connection:
This project serves as a powerful, hands-on entry point for secondary mathematics, aligning closely with the British Columbia Mathematics Curriculum in the following ways:
Spatial Reasoning & 3D Geometry (Grades 8-10): Students often struggle to visualize how 2D nets fold into 3D objects (and vice versa). This project allows learners to physically deconstruct 3D solids, building spatial awareness and deepening their understanding of vertices, edges, faces, and Euler's characteristic.
Curricular Competencies: It directly supports competencies such as reasoning and analyzing (exploring spatial patterns), understanding and solving (tackling topological puzzles through trial and error), and communicating and representing (connecting mathematical concepts to artistic expression). By rooting abstract geometry in tactile art, it fosters a low-stress environment that encourages inquiry and reduces math anxiety.
